Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Thursday, June 5, 2008

Media Violence Against Women

Via DollyMix

Sex and the City and it's lead actresses have, legitimately or not, been subjected to the great deal of criticism that tends to come with being prominent in popular culture. It is important to note the way the criticism has manifested itself, and the ways in which the gender of the intended targets shapes how that criticism is expressed.

While the criticism tends to focus on the ages and physical appearance of the stars of the film, rather than their acting or the writing quality, the imagery that accompanies this criticism has become increasingly violent and disturbing. First, Time Out New York's recent cover pictures all four actresses with duct tape over their mouths.



This image of forced silence is not gender neutral. It is insulting at best and outright threatening at worst. Unfortunately, it is the kind of cover that probably sold magazines. One can only assume so, since another New York magazine, the New York Press (the same outlet that framed stalking as a hobby) followed suit with their latest cover picturing all four women as literal garbage.


Cate Sevilla of DollyMix poignantly notes that:

Men are trashed differently than women in the press, this is not a new revelation. We've all been aware of this for a painfully long time. Yet it says something disturbing about our society that when four women become too famous or too popular, our immediate reaction is to shut them up by any means possible. Tape their mouths shut, shove them in the trash, and chop off their pretty little heads; it doesn't matter as long as they've been silenced and are kept out of site. It used to be that little girls were to be seen and not heard, but it seems as though when they tire of seeing us, that we should vanish....out of sight, out of mind, and back in the kitchen where we belong.

Sunday, September 30, 2007

When did torture become sexy?


We first got our idea for creating a blog when our staff began reading about a backlash against the advertising campaign for the movie Captivity. So even though the fervor has died down and the movie is out of theaters, we still wanted to post about it briefly.

In her article at the Huffington Post, Jill Soloway described the billboards she saw as she was taking her young son to school:

The first image had a black-gloved hand over her mouth, titled CAPTURE. Next, her eyes begged for rescue as her mascara ran and her bloody finger tried to pry its way out of a cage, titled CONFINEMENT.

In the next picture, titled TORTURE, she was encased in a strange mask, with tubes coming out of her nose, draining blood.

The last frame was Elisha, may her career rest in peace after posing for this, hanging dead, lying on her back with one breast prominently displayed. The word in this frame was TERMINATION.
What's the big deal, right? It's just a horror movie. Jill's assessment:

This wasn't just horror, this wasn't just misogyny... it was a grody combo platter of the two, the torture almost a punishment for the sexiness.
So when did torture become sexy? We've seen it in a gradual movement leading to Hostel, a film that explicitly associated torture and violence with erotic gratification, but this is the first time that we've seen a torture film marketed in such a way. Joss Wheadon, creator of Buffy the Vampire Slayer, had this to say about the film in his own letter to the MPAA:

I've watched plenty of horror - in fact I've made my share. But the advent of torture-porn and the total dehumanizing not just of women (though they always come first) but of all human beings has made horror a largely unpalatable genre. This ad campaign is part of something dangerous and repulsive, and that act of aggression has to be answered. . .

But this ad is part of a cycle of violence and misogyny that takes something away from the people who have to see it. It's like being mugged (and I have been). These people flouted the basic rules of human decency. God knows the culture led them there, but we have to find our way back and we have to make them know that people will not stand for this.
The backlash, described in Soloway's article and in news and entertainment pieces across the nation, reached a fever pitch, with tens of thousands of calls and letters made to the MPAA.

How can we create movement like this in our own community?