Showing posts with label Charlie Sheen. Show all posts
Showing posts with label Charlie Sheen. Show all posts

Thursday, March 10, 2011

The Problem with Charlie Sheen

In case you haven't noticed, Charlie Sheen has been in the news and he is America's new sweetheart. Thousands of people follow him on Twitter and watch his webcast to see what outlandish thing he'll say next. Television programs are scrambling to book him as a guest to see their ratings soar. "Winning!" is our country's newest catch phrase. But what we as a nation seem to have forgotten in all of our voyeuristic pleasure are the women at whose expense Sheen is having his fun.

Sady Doyle at Global Comment writes about what she calls Sheen's three faces. The first is Sheen the comedian, whom we can't help but follow. Second is Sheen the tragedy, a man who has lost his job, his family, his health, and his self-control. But third, the reason for so much loss, is why WRC is paying attention.

And then, there is the third, most troubling Sheen: The violent misogynist and abuser, who preys on the most vulnerable women he can find, and gets away with it. Choire Sicha of The Awl refers to him as a “very ill and somewhat frightening monster.” David Carr, in The New York Times, points out that the reports of domestic abuse during his Two and a Half Men tenure were ignored; it was all right to shoot ex-fiancĂ©e Kelly Preston, but dissing Chuck Lorre was a firing offense. Anna Holmes, in an excellent article for the NYT, points out that the women Sheen has terrorized — sex workers, starlets and non-celebrities who lack Sheen’s power within Hollywood — are the sort of women most likely to be blamed for the violence against them, and therefore the least likely to pose a problem for Sheen.

Yes, Sheen has three faces, but most of us are willing to ignore two of them. We don't want to recognize that Sheen is a sick, sad man. Why? Doyle argues it is because he is acting like we expect men to act.

Americans have a soft spot for hyper-masculine characters, especially in comedy. Think of Barney on the CBS sitcom How I Met Your Mother, who insists on wearing a suit at all times, compulsively seduces and discards “bimbos,” and has penned a “Playbook” of lies for tricking women into sex. Think of Ron Swanson on NBC’s Parks and Recreation, who loves woodworking, red meat and capitalism, and frequently rails against the “b**ches” he’s divorced and the evils of big government (or any government; in his ideal America, there would be one government employee, and his only job would be “deciding who to nuke”). Or think of “Charlie” on Two and a Half Men, an alcoholic and womanizer who, in the words of his Wikipedia page, “lives a life of carefree debauchery.”
But if this sort of behavior is confined to our TV sets, where it is managed by writers, it’s fun. We know that we’re meant to laugh, and that the actors are only reading ridiculous lines. Barney is played by Neal Patrick Harris, a gay man, which adds yet another layer of distance. In real life, however, it’s significantly less cuddly. You simply cannot have “traditional” white masculinity without an equally “traditional” denigration of women and less privileged people. In real life, Ron Swanson['s] . . . violent hatred of “b**ches” he’s married would be disturbing. In real life, Barney’s lack of respect for the women he sleeps with — along with the fact that almost every single one of his sexual encounters is based upon deceiving the woman — would render him creepy, even dangerous. In real life, Charlie… well.

But it’s why we can laugh at Sheen, or even have compassion for him without acknowledging the harm he does to others. His statements have more in common with Chuck Norris Facts than with popular ideas about addiction or misogyny. Ron Swanson promises to turn his disciples “from men into gladiators, and from gladiators into Swansons;” it’s not far removed from being on a drug called “Charlie Sheen.” When Barney is sad, he says, “I stop being sad and be awesome instead.” Sheen insists that he’s too awesome to feel sorrow for any of his losses: “Aren’t there moments where a guy, like, crashes, like, in the corner, like, ‘Oh my God, it’s all my mom’s fault’? Shut up. Shut up! Stop! Move forward.”

And we listen, and we laugh, because this sort of hyperbolic, self-aggrandizing macho is familiar. Charlie Sheen the tragedy, Charlie Sheen the criminal, Charlie Sheen the misogynist: They’re all easily subsumed into Charlie Sheen the Exceedingly Masculine. And, since the dark undertones and tragic consequences of this behavior are minimized by fiction, it’s easy to pretend they don’t exist in life. Sheen himself is apparently profiting from his downward spiral; his Twitter feed is sponsored by Ad.ly, which gives him significant money for product placements. If he’s doing this on purpose, it’s working; if not, who cares? The laughs keep coming.

Let's just hope we don't keep laughing until he kills someone, or himself.

Wednesday, June 30, 2010

When Do Batterers Deserve Our Forgiveness?

AKA, another Chris Brown post. We've had several requests to comment on Chris Brown's emotional breakdown during his Michael Jackson tribute at the BET awards. Many people in the media and many of Brown's fans feel that he has been punished enough and that it's time for us to forgive. Many others think that Chris Brown has never truly apologized for his use of violence and that this is another carefully constructed ploy to revive his career. As always, WRC wants to defer to the experts. We want to know what survivors of domestic violence think.

Survivors are certainly not a monolithic group, and many will have differences of opinion, but when wondering if it's time for forgiveness, Ruth from Feministing, a survivor herself, writes:

On the last day of the US Social Forum, I ran into an old friend from a campaign I had worked on a few years back. I had seen her on the first day but bee-lined in the other direction. I was dodging her because the only Rose she had ever known was a woman who felt trapped in a domestically violent relationship. I have since left that relationship. Years have passed since then, but I am occasionally haunted by memories when I see an old friend from that era of my life and they ask me the dreaded question, "Are you still with him?"

Blood on my walls. Cops at my doors. Large scars on my back from being pushed on the floor. These are the things I remember with great sadness when my memory is triggered by an old friend's concern about my present well-being or the sighting of male aggressors of violence. These are the things that ran through my mind when the BET awards showcased Chris Brown, probably one of the most infamous batterers of our generation. And if Chris's presence alone on a stage that drew 7 million viewers isn't enough of a stab in the gut, Jermaine Jackson pressed the knife by claiming that it is Chris, in fact, who needs healing.

Ann Powers over at the LA Times also used language that disarmed me. Although Powers conceded that BET airing Chris Brown was problematic, she described Chris as someone who will "forever be in recovery." It's as if there has been a pandemic of amnesia and some among us have forgotten who the victim really is here.

America's conversation about Chris' conviction of felony assault has officially been shifted to the controversy at play in Chris' tears. Adding insult to injury were the stars and fans who have been caught on camera cheering on him, his performance and calling Sunday night's performance a comeback. I can't help but ask: what about us? What about the women who relive their experiences when a man is given a platform to imply that his pain is greater than the brutality he has inflicted on a woman's body? What about Rihanna? Where is the tribute for survivors and what has BET done to change the scourge of violence in Black women's lives?

I am thankful for the presence of male allies who have the courage to stand up and remind us that African-American women ages 15 to 34 die more from the violence of a current or former intimate partner than by anything else. Than By Anything Else. This makes BET's decision to air Chris a profound act of traitor-ship against women and girls. Plain and simple it was an irresponsible action taken by BET. And this can't be wanded away by Queen Latifah serving as a host and a two-sentence plug about Dorothy Height. BET owes African American girls and women so much more than a year grace period for one of the most remorseless batterers of our time.

If a victim wants to or can forgive her batterer as part of her own healing, that can often be a healing choice for her. But please stop asking us to forgive Chris Brown. We will continue to hold him, and Charlie Sheen, and Mel Gibson, and all other famous batterers accountable for the violence they inflict on their partners. There is certainly a place for forgiveness, but until these men start actively trying to undo the harm they've done by partnering with an organization like Men Stopping Violence, we can't take their apologies seriously. After all, using violence against a partner is supposed to harm your career. That's why they call it punishment.

Monday, January 4, 2010

DV Does Wonders for Ratings

To give credit where credit is due, we stole this post title from Feministing, where Jessica responds to actor Charlie Sheen's Christmas domestic violence arrest (see if you can spot the bad dv reporting in the People Magazine coverage):

Apparently, getting arrested for abusing your spouse will do amazing things for an actor's career. From the New York Post:

Sheen's comedy series, "Two and a Half Men" is back in the No. 1 spot.

Monday night's episode, the first time the show has aired since Sheen was jailed for allegedly putting a knife to his wife's throat, drew 11.1 million viewers to watch a rerun of the hit CBS comedy. That was enough to make it the most-watched program of the evening, according to preliminary ratings.
Incredible. As Broadsheet recently pointed out, Sheen has a long history of violence against women yet continues to do incredibly well career-wise. In fact, with his $825k per episode salary - he may be the highest paid actor in television right now.

It appears that when it comes to television, violence against women still doesn't matter.
We applauded radio stations for dropping Chris Brown's music and sponsors for scrapping his endorsement deals after his arrest for assaulting then-girlfriend Rihanna. It would be nice to see Hanes, CBS, and especially fans hold Charlie Sheen equally accountable.


Update 01/07/10: Hanesbrands is, in fact, dropping their advertising campaign with Charlie Sheen.